Sharon Dodua Otoo first rose to prominence nearly a decade ago when her first and only short story in German won the most prestigious award in the language.

Sharon Dodua Otoo first rose to prominence nearly a decade ago when her first and only short story in German won the most prestigious award in the language.
Confrontations asks us to question why our anger must be ‘productive’ rather than ‘destructive’. It asks what happens to the women possessed by an innate anger that refuses to be subdued.
Dark, sensual, whimsical, and razor-sharp, My Darling from the Lions is a remarkable collection with plenty to say and the gift of saying it in a fresh way.
From the blog post that inspired her to Yinka’s abiding love for her local chicken shop, Lizzie Damilola Blackburn gives us five fun facts about one of the first Black British romantic comedies.
Have you ever started a book and immediately known it was going to be an experience you would remember forever? Dear Black Girl: Letters from Your Sisters on Stepping into Your Power was just that for me.
The new book club has an exteriority about it. In an ever more global world where publishers seek to keep up with a trend-led, terminally online world, reading communities are no longer intimate.
We were positive that my book would be snapped up in an auction because it felt epic, genre-crossing and boundary-breaking. It was everything traditional publishers said they were looking for in book club fiction.
Leila Mottley bounces into the hotel waiting room to meet me. I waste no time with my questions on Nightcrawling, which was longlisted for the Booker Prize in 2022, making this twenty-year-old the youngest author ever to have been nominated.
The truth is no matter how often the media attempts to mute our voices and discredit our influence, pop culture is irrelevant without black women.
“For so many of us Black Brits, the anonymous writer of Keisha The Sket—Jade LB—is as fundamental to the canon as Shakespeare or Dickens.”
In her latest conversation with her favourite author, literary influencer Hena J. Bryan (some know her as Bookish Babe) asks the questions we’ve all been wanting answered.
Storymix is an inclusive fiction studio with social purpose that creates high-quality, original concept series with inclusive casts of characters, putting children of colour at the centre of the action.
The Hive opens with a confession: Charlotte has killed her ex-boyfriend's partner, and now invites you to vote on whether he should live or die via Instagram.
It would be hard for anyone to finish Dear Senthuran without a change—a change in perspective, understanding, knowledge. Knowing your identity is one thing, but living it is another. Emezi does both.
I write to call their names. The same way we say Breonna, Sandra Bland, George Floyd, Trayvon, Botham Jean, Dante Wright, Nizah Morris. I write in celebration.
For a long time, I thought she’d insulted me. Today I think she was trying to define me. "Pédé" must have been the only word she knew. It was the only word she had.
A rich resource that allows Nigeria’s queer women to speak their truths as honestly, as openly, and as safely as they can.
A novel that will make you laugh out loud as you cheer for a loveable heroine looking for love, and herself, between two cultures.
It was neither purely a Nigerian immigrant story nor an African American romance—not even an urban tale. Reader, I decided to self-publish.
Everyone expects us to fail, and to succeed is to be the exception. The space between renders us unremarkable.
What makes Formy Books different is that they are an independent, family-run CIC (Community Interest Company). The core team consists of Editorial Director, Curtis Ackie, and their partner, Ebony Lyon serving as Head of Marketing.
Having grown up in an area of relative poverty, Empress's life really struck a chord with me. I got her. I knew what it was like.
I explicitly remember my dad saying: “this is history in the making, better than any book you will ever read.” Ironically, 25 years later, I have now written about this very experience.
Okezie Nwọka on what inspired God of Mercy, the difficulties of duality, and adapting Igbo language and culture for the foreign page.
It’s hard to believe that out of 50 translations of Chinua Achebe’s Things Fall Apart, not one is in the novel’s mother tongue: Igbo.
Where most African literature must harness Western critical acclaim before being celebrated back home, Kintu marks an important first in African literary history.
Six poetry collections that burn, fizz, and flow, confirming what we already know: the future of Black books is excitingly bright.
Lola Ákínmádé Åkerström talks freely about how In Every Mirror She’s Black upends mainstream ideas about Nordic society and her difficult journey to publication.
Love in Colour challenges you to be loved loudly and unashamedly. Bolu Babalola wants readers to know that to love is to see, and to be loved is to be seen.
Solitude is the real story of In Every Mirror She’s Black, a unique distillation of commercial and literary fiction that ultimately hits like a tragedy.
An insightful read for anyone who wants a broader perspective on what it’s like to travel in a world that privileges some, but restricts many others.
Who and what are we the product of, and what is the future of this current birthing? I want us to exercise patience as we wait for the arrival of answers.
This book reminds Black women that we are not superheroes, thus we should not treat ourselves or allow others to treat us as such.
You may laugh, you may tear up a little, and you just might remember long-forgotten lessons from your younger self.
The Sex Lives of African Women paints a liberated tapestry of sexual identities across the sexuality, gender, political, religious, geographic, ethnic, and even racial spectra.
The Sex Lives of African Women is a safe space: it is pure, unadulterated freedom magically distilled and transformed into a 304-page book.
Dear Black Girl: Letters from Your Sisters on Stepping into Your Power speaks directly to Black girls, and women, showing us that anything is possible and we are 'alright'.
Safia Elhillo on the inspiration behind Home is Not a Country and writing a world that reflects the one she grew up in.
Here is a lyrical love letter to the children of the diaspora, teaching us that there are other ways to find home. Home is not a country: it exists within all of us.
A modern take on the origin story of Kenya’s Gĩkũyũ people, The Perfect Nine is one of those rare books about history that has, itself, made history.
When No One Is Watching makes it clear that there are heavy physical and emotional tolls to be paid for choosing to actively participate in a history and present of injustice.
The stories within Addis Ababa Noir will shock, scar, and haunt you. This is a place where myth comes to life and shadow walks on its own.
Borne out of her doctoral research on the West African Student Union of 1920s London, Sankofa marks a departure from Chibundu Onuzo's first two novels.
Following Welcome to Lagos, Sankofa marks a departure from Lagosian life and tells the story of a mixed-race British woman's search for her long-lost West African father.
Longlisted for the 2017 Man Booker International Prize, this is a cynical coming-of-age story that zeroes in on corruption in 70s and 80s Congo-Brazzaville.
The Emperor’s Babe is an irreverent and salacious romp that merges the traditional and the contemporaneous in a startlingly unique way.
Bad Love has a somewhat misleading title. Though it is about how we hurt and are hurt in love, it is ultimately about the resilience of love across space and time.
Black Boy Out of Time is an eloquent and enlightening testament to the ways in which Black authors recraft genre categories that are not truly interested in telling our stories.
Johny Pitts leads the way in spotlighting the flavour and entangled histories of Europe's Black communities through what may be one of the most comprehensive and transnational studies on the subject to date.
Set in Reconstruction-era Brooklyn, this is a book for the sisters who are tired of being strong, for the sisters who have no interest in conditional humanity.
Dahlma Llanos-Figueroa is a veteran of historical fiction whose pioneering work has put Afro-Latinx history on the literary map.
Pride is a deeply representative retelling that foregrounds Black people’s right to exist in a canon that has always pretended they do not.
People like to say that love sees no colour, that love is blind. True as that may be, it is also true that love is about seeing.
Readers should be asking how these Black-authored titles would be different if they were also Black-edited, Black-designed, and Black-publicised.
All too often we scroll across well-meaning publishing people using POC when they mean Black, racism when they mean anti-Blackness.