A desire expressed many a time by me and other Black women is the desire to be seen and heard, to be afforded the space to stumble, learn and grow. Everyone expects us to fail, and to succeed is to be the exception. The space between renders us unremarkable. While our struggle for perfection isn’t going anywhere, Raven Leilani’s sharp and sparkling Luster presents us with a devastatingly human Black female protagonist: Edie, a twenty-three-year-old artist struggling to make ends meet. It’s in this novel that we are given the freedom to fall short of expectations, given permission to just be in our Blackness. Embrace fallibility as it gives you stories to tell, and those stories are your proof that you were here.
Centring around the lives of three mixed-race race women—Ronke, Boo, and Simi—as they navigate their challenging 30s, Nikki May’s debut novel WAHALA considers womanhood and the mixed-race experience. In its tale of these three women, WAHALA is a riveting exploration of friendship, belonging, and identity that will have you drinking from its palm until the very last page.
A blend of Queenie and The Secret Lives of Baba Segi’s Wives with a healthy spoonful of Bridget Jones’s Diary, Yinka, Where Is Your Huzband? will make you laugh as you cheer for a loveable heroine looking for love, and herself, between her two cultures. From the blog post that inspired her to Yinka’s abiding love for her local chicken shop, Lizzie Damilola Blackburn gives us five fun facts about one of the first Black British romantic comedies.
A graduate of the Iowa Writers’ Workshop who was born in Washington, D.C., God of Mercy is Okezie Nwọka’s debut novel. It is set in Ichulu and revolves around the life of the brave Ijeọma, a non-verbal girl who can...
It is hard to believe that out of 50 translations of Chinua Achebe’s Things Fall Apart, not one is in the novel’s mother tongue: Igbo. An Igbo translation would unveil a hereto undiscovered level of meaning, from the littering of translated proverbs to the metaphysical happenings that in Western readings are merely supernatural. In an age of growing Nigerian control over African literary production through publishers like Cassava Republic, an Igbo translation of Things Fall Apart is an important assertion of Africa’s literary history and future despite, rather than because of, English influences.
