Okezie Nwọka on what and who inspired God of Mercy, the difficulties of duality, and adapting Igbo language and culture for the foreign page.
Hardcover
“I needed to write a book that reflected reality”: A conversation with Lọlá Ákínmádé Åkerström
Lola Ákínmádé Åkerström talks freely about how In Every Mirror She’s Black upends mainstream ideas about Nordic society, her difficult journey to publication, and writing Black women.
“I want the book to create space, especially psychic space in our imaginations”: A conversation with Nana Darkoa Sekyiamah
Nana Darkoa Sekyiamah gives us her perspective on The Sex Lives of African Women's genesis, ethos, and her best book recommendations.
How Nana Darkoa Sekyiamah’s The Sex Lives of African Women will set you free
The Sex Lives of African Women is a safe space: it is pure, unadulterated freedom, somehow magically distilled and transformed into a 304-page book.
“I grew up obsessed with this alternate version of myself”: A conversation with Safia Elhillo
Safia Elhillo on the inspiration behind Home is Not a Country, her roots, and writing a world that reflects the one she grew up in.
Home is Not a Country: A novel-in-verse about identity, belonging, and the true meaning of home
Home is Not a Country is told through the eyes of Nima, a Muslim American girl who finds herself longing to be someone else.
Tami Charles’ Muted explores the music industry’s dark side
A fast-paced coming-of-age story about music, the loss of innocence, and the dangers lurking in the shadows of the entertainment industry.
Nadifa Mohamed’s The Fortune Men centres humanity in the midst of tragedy and injustice
The Fortune Men is a historical fiction set in 1950s Cardiff that explores the real and distressing story of Mahmood Mattan, the last man to be hanged in Wales.