From the blog post that inspired her to Yinka’s abiding love for her local chicken shop, Lizzie Damilola Blackburn gives us five fun facts about one of the first Black British romantic comedies.

From the blog post that inspired her to Yinka’s abiding love for her local chicken shop, Lizzie Damilola Blackburn gives us five fun facts about one of the first Black British romantic comedies.
Okezie Nwọka on what and who inspired God of Mercy, the difficulties of duality, and adapting Igbo language and culture for the foreign page.
It may surprise a few to know that Jennifer Nansubuga Makumbi's debut, a now-established classic of African literature, was rejected by British publishers for being ‘too African’.
My Darling from the Lions is a remarkable debut collection with plenty to say and the ability to say it in a unique, witty, and fresh manner.
Lola Ákínmádé Åkerström talks freely about how In Every Mirror She’s Black upends mainstream ideas about Nordic society, her difficult journey to publication, and writing Black women.
A Stranger's Pose is a dreamy travelogue and memoir through west and north Africa that explores the nature of estrangement, identity, and grief.
Solitude is the real story of In Every Mirror She’s Black, a unique distillation of commercial and literary fiction that ultimately hits like a tragedy.
An insightful read for the average traveller who wants a broader perspective on what it’s like to travel in a world that privileges some but restricts many others from moving around.
Nana Darkoa Sekyiamah gives us her perspective on The Sex Lives of African Women's genesis, ethos, and her best book recommendations.
The Sex Lives of African Women is a safe space: it is pure, unadulterated freedom, somehow magically distilled and transformed into a 304-page book.
Edited by Nana-Ama Danquah, Accra Noir's writers spin a complex and fantastical web of love, intrigue, drama, and crime.
When No One Is Watching makes it clear that there are heavy physical and emotional tolls to be paid for choosing to actively participate in a history and present of injustice.